Capturing & Processing the Sun – A Complete White-Light Imaging Workflow
Solar and Lunar Imaging and Processing
Order Date:
11.11.2020
Final Date:
19.11.2020
Client:
E-Studio
⚠️ Never look directly at the Sun through a telescope or camera. Always use a certified solar filter securely mounted. Failure to do so can cause instant, permanent eye damage and destroy your sensor.
☀️ A Beginner’s Guide to White‑Light Solar Imaging
We’re capturing sharp, colourised images of the Sun using a short high‑fps video and post‑processing — a method that outperforms in‑app stacking. Let’s walk through it.
🔭 What You’ll Need
Tripod: Stable and level.
Telescope: With securely mounted white‑light solar filter or Herschel wedge. Smart scopes like the Seestar S50 have built-in filters — ensure they are active.
Equatorial wedge (optional): Helps reduce field rotation in EQ mode.
Star tracker (optional): Keeps the Sun centred in longer sessions.
Camera: Preferably high‑fps mono (e.g. ZWO ASI 174 MM, Player One Apollo‑M Mini).
Capture software: FireCapture, SharpCap, NINA, or native app for smart scopes.
🔥 Why We Recommend FireCapture
FireCapture is purpose-built for solar, lunar, and planetary imaging. It’s widely regarded as one of the best capture applications available for amateur astrophotographers using high-speed mono or colour astronomy cameras. Here’s why it stands out:
✅ Native support for most ZWO, Player One, QHY, and other astronomy cameras.
✅ Real-time histograms, gain/exposure adjustment, and solar-specific capture tools.
✅ ROI (Region of Interest) mode to boost frame rates by capturing a smaller portion of the sensor.
✅ Automatic file naming and capture logging for organisation and repeatability.
✅ Excellent support for RAW .SER format — the best format for solar imaging and stacking.
✅ Optional scripting, dark/flat frame capture, and even planetary ephemeris overlays.
It’s free, regularly updated, and widely used by solar imagers worldwide. If your camera is supported, FireCapture should be your default capture tool.
Solar filter: Mandatory — Baader film, glass, or internal factory options.
🎞️ Capture Settings & Video Format
Format: Use .SER or uncompressed .AVI. These retain all raw frames without compression. Avoid .MP4 or .MOV — they’re lossy and unsuitable for stacking.
Resolution: Use the camera’s native resolution. Avoid digital zoom or pixel binning unless your system struggles with bandwidth.
Frame Rate: Target 100+ fps if your camera and system can handle it. More frames = better stacking.
Capture Length: 30–90 seconds — long enough for statistical stacking, short enough to avoid atmospheric smearing.
Bit Depth: Prefer 8‑bit or 16‑bit monochrome. 16‑bit retains subtle tone detail but produces larger files.
Codec: For .AVI, choose uncompressed or use a lossless codec like Lagarith or UTVideo if supported. Never use H.264 or MPEG.
File Naming: Use a logical naming structure (e.g. Sun_2025-08-04_0855UTC.SER) to help with batch processing later.
Tracking Mode: Short Alt/Az clips are fine for 60–90 seconds. EQ or star tracking helps keep the disc centred, which can improve stacking accuracy.
🧪 Suggested Camera Settings
Gain: Start moderate — avoid saturation. Adjust as needed for histogram balance.
Exposure: Typically 0.5–3 ms — just enough to expose granulation without blur.
Histogram: Aim for 70–80% peak. Avoid overexposing bright regions.
Gamma: Default for capture. Adjust during processing, not live.
Focus: Zoom into live view. Adjust until surface texture is crisp. A Bahtinov mask can help.
💡 Pro Tip: Before you start your video capture, take a few high-resolution still images of the Sun. Zoom in and check for surface granulation and crisp sunspot edges — it’s the easiest way to confirm perfect focus before committing to your full recording. Use burst mode or capture 3–5 quick shots to account for brief seeing distortions. Once focus is confirmed, proceed with the video run.
🧪 Part 1: Image Acquisition
🛠️ Step‑by‑Step Setup
Place and level your tripod.
Attach your telescope securely.
Attach filter before aiming.
Fit equatorial wedge if using EQ mode.
Rough polar align or use solar finder/shadow.
Connect camera and launch capture software.
Centre and focus the Sun using live‑view tools.
📷 DSLR Imaging Option
If you only have a DSLR or mirrorless camera with a suitable solar filter, you can still participate:
Use live‑view to visually focus on the solar surface with filter attached.
Capture a series of short exposure stills (e.g. 1/500–1/2000 s) or burst video if supported.
Process these in PIPP and AutoStakkert just as you would with AVI stacks.
Then finish off in ImPPG or standard editing software.
💡 Tools for Every Setup
NINA: Great for capturing SER or AVI format using DSLRs or astronomy cameras. Offers precise control over framing and exposure.
PIPP: Trims, centres, crops, and filters frames for stacking.
AutoStakkert!: Aligns and stacks with sub‑pixel precision.
ImPPG: A free solar processing tool — ideal for sharpening, tone curve adjustments, and final tweaks if you don’t use Photoshop or PixInsight.
Why this workflow?
It gives you more control and better resolution than in‑app smart-scope stacking, which prioritises automation over image quality.
🧬 Part 2: Image Processing
🔧 PIPP Tab Settings (Tab‑by‑Tab)
PIPP guides you through seven tabs. For solar full-disc imaging, configure as follows: